Jacob Collier has a very impressive ability to work with and sing micro-tones. In this video I look at an arrangement of his where the piece transposes mid-song from E major, to G half-sharp. It's quite mind-boggling.


⦿ Support the Channel on Patreon⦿
[ Ссылка ]

⦿ Follow me on Twitter⦿
[ Ссылка ]

⦿ Follow me on Instagram⦿
[ Ссылка ]

⦿David Bruce Composer Spotify Playlist⦿
[ Ссылка ]

⦿My 2nd YouTube Channel⦿
[ Ссылка ]

#jacobcollier #microtonality #inthebleakmidwinter


June Lee's Transcription of In the Bleak Midwinter:
[ Ссылка ]

June Lee's Interview
Part 1:
[ Ссылка ]
Part 2:
[ Ссылка ]
Part 3:
[ Ссылка ]

Masterclass at NEMPLA
Part 4:
[ Ссылка ]
Part 3:
[ Ссылка ]
Part 2:
[ Ссылка ]
Part 1:
[ Ссылка ]


Songs
Jacob Collier: In the Bleak Midwinter
[ Ссылка ]

Jacob Collier: With the Love in My Heart

Jacob Collier: The Road Not Taken
[ Ссылка ]

EDIT: During my explanation for the final A minor 9 chord I slightly mis-characterised the idea of the stacked 5ths above the A. In this case, the 5ths are actually 2 cents more (not 5 less as I stated) than the 'natural' tuning. Jacob used this to make the B itself higher this time, rather than making the chord beneath it move up. Sorry for the confusion, as I said, this stuff it complicated!

свернуть