The movie Mission: Impossible – Ghost Protocol, released in 2011 and directed by Brad Bird, was shot on film using ARRIFLEX 435 Xtreme Camera, Imax MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera and Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses with Robert Elswit as cinematographer and editing was done on the Avid Editing System by Paul Hirsch.
Runtime
2h 12m(132 min)
Sound mix
Dolby DigitalSDDSDatasatIMAX 6-Track
Color
Color
Aspect ratio
1.43 : 1(70mm IMAX - some scenes)1.90 : 1(IMAX Digital - some scenes)2.39 : 1
Camera
Arriflex 435 Xtreme, Panavision G-Series LensesIMAX MSM 9802, Hasselblad LensesIwerks MSM 8870, Hasselblad LensesPanavision Panaflex Millennium XL2, Panavision Primo, C-, E-, G-Series, ATZ and AWZ2 LensesRed Epic, Panavision Primo and C-Series Lenses(some scenes)
Laboratory
Barrandov Laboratore, Prague, Czech Republic(dailies provided by)Company 3, Los Angeles (CA), USA(digital intermediate and dailies provided by)DeLuxe, Hollywood (CA), USA(color timing)FotoKem Laboratory, Burbank (CA), USA(special large format services provided by)Kodak Cinelabs, Dubai, United Arab Emirates(dailies)Technicolor Creative Services, Vancouver, Canada(dailies provided by)The Chimney Pot, Dubai, United Arab Emirates(dailies provided by)Universal Production Partners (UPP), Prague, Czech Republic(dailies provided by)Vancouver Laboratory, Inc.(dailies provided by)
Film Length
3,628 m(Spain)3,632 m(Portugal)
Negative Format
35 mm(Kodak Vision3 200T 5213, Vision3 500T 5219)65 mm(horizontal, Kodak Vision3 200T 5213, Vision3 500T 5219)Redcode RAW
Cinematographic Process
Digital Intermediate(4K, master format)Dolby VisionIMAX(source format, some scenes)Panavision(anamorphic, source format)Redcode RAW(3.3K, 5K, source format, some scenes)Super 35(source format, one scene)
Printed Film Format
35 mm(Kodak Vision 2383)70 mm(horizontal, IMAX DMR blow-up, Kodak Vision 2383)D-Cinema mission Impossible 4 movie aspect ratio IMAX Vs Fullscreen DVD

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