With The "New Philharmonia Orchestra" and John Alldis Choir.

"Barenboim manages to be both imposing and playful in the piano preface and Klemperer relishes the low-life junketings of the finale's instrumental pages as much as the blaze of the choral peroration with its anticipations of the end of Fidelio or the Ninth Symphony".
(Richard Osborne, GRAMOPHONE)

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