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In the video, Berklee Online instructor Tim Huling discusses how modes of the major scale can be used to create different moods and spirits throughout a scene. He explains that while film composers like John Williams, Hans Zimmer, Danny Elfman, and Thomas Newman have vastly different styles, their use of modes to create musical variety is common among them all. He demonstrates how modes can create contrasting feelings by moving through a parallel modal chord progression on the piano, starting in C Aeolian, then moving through Dorian, Phyrgian, and ending in Lydian.

About Tim Huling:
Tim Huling is a composer, orchestrator, producer and educator who works in music for film, TV, video games, the concert hall, and more. His credits include films such as “Georgia Rule” and “Mad Money”; TV shows such as “Little People, Big World” and “Inside Passage”; video games such as “Planetary Annihilation” and “Skyrealm”; and installations such as “Hunger Games” at the Motiongate Theme Park and “Great Seattle Fire” at MOHAI.
In 2014, Tim was proud to return to his alma mater, the Film Scoring Department at Berklee College of Music, where he currently teaches film music composition, orchestration, and technology.

About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
1-866-BERKLEE (US)
1-617-747-2146 (international callers)
advisors@online.berklee.edu
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Film Scoring | Scoring for Film, TV, and Games | Berklee | Berklee College of Music | Berklee
Online | Composer Corner | Tim Huling | John Williams | Hans Zimmer | Danny Elfman | Thomas Newman | Modes | Scale Modes | Modal Music | Aeolian | Dorian | Phyrgian | Lydian | Moods in Music | Hunger Games | Georgia Rule | Mad Money | Little People, Big World

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