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*ABOUT THIS VIDEO*
Join me with my friend Ruben Tilgner (CEO and founder) of Elysia as he demonstrates the value of processing DAW tracks with external analog processing gear. Ruben has designed a series of portable analog Qubes that look, sound and feel great! He'll explain the reasons why it's worth your effort to create new sounds out of the box and re-record them later. This was a very eye-opening interview for me because Ruben is so adept at explaining the reasons why analog effects sound better. Please remember to like and subscribe to the channel. Also, look for my upcoming online course in synth programming.

00:00 Opening (music)
00:18 Anthony's Intro
00:37 Ruben's Presentation Intro
01:14 The Qube Chain
02:30 Processing Kick
05:09 Processing Snare
09:25 Processing High Hats
11:43 Processing Synth Bass
14:17 Comparing Dry and EFX Versions
15:10 Processing FM Synth Bass
18:29 Mastering
19:35 Why Analog EFX are higher Resolution than Digital
23:44 Headphone Amp
25;26 Anthony's Summary
25:50 Logo (music)


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*ABOUT ANTHONY*

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson's* _*Thriller*_ .

His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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