"Dior" designer Raf Simons - Spring Summer 2013 pret-a-porter Paris by FashionChannel
The designer Raf Simons had clearly dug deep not just into Christian Dior's psyche but Galliano's. The golden goose Lady Dior bag from Galliano's reign was there, the flashy metal hardware reworked in same-colour plastic. The crystal-studded eye make-up was also present, no longer clown-like but, implausible as it sounds, futuristically chic. The number of techno fabrics also helped this collection feel wholly contemporary. The fit of the clothes, a minor issue in his first couture collection, was perfect - and that goes for all 53 looks. Safe to say he and Dior's atelier of 120 plus seamstresses have learned to speak each other's technical language.
Yet Simons is not just an accomplished technician who can explain his thought processes in methodically lucid terms, but a romantic and a modernist. "I wanted this collection to be about sex, freedom, movement, sensuality, minimalism, " he said after the show and the scrum.

"People think Christian Dior was about constriction and technically, with the New Look's corseting, it was. But in a psychological sense it was about liberating women, allowing them to be romantic again and to fantasise about their image. The New Look was nostalgic but it was also absolutely contemporary in relating to how women wanted to feel after the war".


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