Remote Xianggelila - Grade 8 Trinity Piano.
Ma Jinfeng and Zhang Nan.

PRACTICE TIPS.

PLEASE NOTE - NEXT TO LAST NOTE IN BAR 29 1:48 LH SHOULD BE A NATURAL NOT A SHARP. (Apologies 😳)

Despite looking quite "busy" this beautiful chinese melody must always sound "Andante". This will be achieved if you sing out the melody and not let the business of the lower parts become obtrusive. It might be an idea to just play the "tune" (RH notes with tails up) without any accompaniment to fix in your mind that which should be heard. And while on the subject of voicing, try to bring out the two LH crotchets in bar 20.

Regarding tempo, you can be quite free and not too metronomic. Apart from where specifically marked, a touch of rubato here and there wouldn't go amiss. You will notice a few of these touches especially in the middle section of this video performance.

If you have the luxury of a middle pedal, it can be used to good effect to hold the last chord of bar 32 while changing the sustain pedal for the successive chords of bar 33. Try and make the "cadenza" notes in this bar like a kind of harp glissando effect - very light.

Grade 8 Trinity Piano Videos available
Fanfarinette and La Triomphante - Rameau
Prelude in G major - J. S. Bach
Moderato from Sonata in G minor - J. Haydn
Allegro from Sonata in B flat - W. A. Mozart
Intermezzo in B minor - Johannes Brahms
Minstrels Claude Debussy
Elegy - John Ireland
Allegretto from Suite Op14 - Bela Bartok
Remote Xianggelila - Ma Jinfeng & Zhang Nan
Grade 8 Trinity Piano Scales and Arpeggios
Grade 8 Trinity Piano Technical Exercises 2018-2020
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Please watch: "Sonata in C minor, Pathetique - 3rd movement. Rondo / Allegro - Ludwig van Beethoven"
[ Ссылка ]
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Please NOTE: This channel is NOT the same as Alan Chan
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