Splendid rendition of evening melody Raga Hansdhwani by Dr. Ashwini Bhide Deshpande at Alma Mater Studiorum - Universita di Bolagana, Italy (2008).

Ashwinitaai went to Bologna for two music concerts as part of an initiative called Suoni dal Mondo (Sounds from the world) organised by the Drama and Performing Arts department of Bologna university (DAMS) Bolagana, Italy, in collaboration with Indian Council of Cultural Relations.

00:00 - Tum Mero Maharaj Ho (Vilambit Khayal)
28:21 - Tarana
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Raga: Raga Hansdhwani/Hamsadhwani
Taal: Matta Taal (9 Beats) (Vilambit Khayal)
Teentaal (Tarana)
Composition: Tum Mero Maharaj Ho and Tarana
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Vocal Support: Saili Oak
Tabla: Pt. Vishwanath Shirodkar
Harmonium: Smt. Seema Shirodkar
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📝Lyrics:

*********Khayal**********

तुम मेरो महाराज हो,
कदरदान गुननिधान ||

परत हूं तोरे पैंया तुम नाथ,
मांगत एक दान देओ ||

*********Tarana*********

तान देरे ना, तदरे दानी दीं,
तदानी दीं, तदानी दीं, तदानी दीं ।

दीं तननन तद्ने दानी तनन दीं
तदींदीं,तदींदीं, तदींदीं,
तदानी दीं, तदानी दीं, तदानी दीं ॥
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About Artists:

Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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