#carnatic #veena #instrumental

Jayanthi Kumaresh gives a magnificent performance of Raga Ananda Bhairavi in this concert at the Darbar Festival in London. Jayanthi Kumaresh’s veena is gently electrified and produces an uncompromised tone best suited for large concert halls that require amplification. Her approach to a raga is sublime, adhering to gayaki (vocal music style), is tradition-bound and yet pregnant with the spry of a contemporary artist. Accompanied by Patri Satish Kumar on the mridangam and RN Prakash on the ghatam, their impassioned rhythmic dialogues and interplay resulted in joyous moments of exchange with all the textures and tones of the veena.

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More about the Artist

Jayanthi Kumaresh’s saraswati veena is an ancient instrument, named after the Hindu goddess of arts and learning. But her gently electrified version produces a strikingly guitaristic tone, igniting Carnatic classical melodies with sweeping bends. She started playing aged three, and learned under her mother Lalgudi Rajalakshmi, before leaving home aged 13 to study with her aunt Padmavathy Ananthagopalan. She also received instruction from her great-uncle, violinist Lalgudi Jayaraman, and noted veenai S Balachander.

A few years later she became one of the youngest artists to receive an All India Radio ‘A’ grading, earned a doctorate in veena history, and founded the Indian National Orchestra, uniting musicians from India’s classical traditions in a large ensemble. On recent recordings she has experimented with recording seven layers of veena on top of each other, and continues to write for dance and film.

WATCH MORE FREE CONTENT by clicking on the below links on our YouTube channel:
Raga Behag | Jayanthi Kumaresh - [ Ссылка ]
Raga Shanmukhapriya Alapana | Jayanthi Kumaresh - [ Ссылка ]

Musicians

-Jayanthi Kumaresh (Saraswati veena)
-Patri Satish Kumar (mridangam)
-RN Prakash (ghatam)
-Mithila Sarma (tanpura)



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