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The B&M Fuzz made perhaps its most famous appearance in Edwyn Collins' "A Girl Like You". It's a cool, biting and distinctive fuzz tone that together with the riff helped drive that song's success. The B&M's tone was not lost on Underworld's Karl Hyde, however Karl had a problem with the amount of hiss the grand old fuzz spat out. Tim Cooper of Faceless FX was consulted and asked to build a quieter clone. This is why we now have the Dogboy Fuzz, named after Karl's recent book "I Am Dogboy" and also the name of his company. Seems fitting. Tim makes the Dogboy fuzzes (and others) one by one, at his home in the UK. If you go for a Faceless FX fuzz, you know you're going to get a box full of passion, good looks, cool tones and tons of fun. I am lucky to have several specimens here, none of which I ever plan to sell. They're just the business.

Today's tools:

Guitar: DeluxeTone '65 Strat tribute with Slider '59 Pickups
Amp: Achillies Amps Vibrolux Reverb Replica with 2 x Jensen G10Q speakers (See: [ Ссылка ])
Extra effects: Source Audio Nemesis Delay (Tape setting)
Cables: Providence and Free The Tone
Power Supply: Voodoo Lab MONDO
Mic: Shure SM57 (Vibrolux); Samson Airline77 (me)
Camera: Canon 60D (me) and iPhone 6+ (pedal)
Soundcard: AVID Mbox Pro 3
Computer: Apple iMac 27" i7 3.4 GHz 16 GB RAM
Software: Pro Tools 12.4, Waves CLA Guitars (slight comp over input track), Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).

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