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Enjoy this product deep dive with founder Bryce Young that covers the history & inspiration from the original 19-style microphone, the sound profile & best applications, and full component overview!

The WA-19 faithfully recreates one of the most favored studio and live dynamic mics of the 1960s. Like the original adored by live and studio engineers, the WA-19 delivers a unique combination of dynamic mic functionality and studio-worthy condenser tones.

With the critical noise rejection & reduced proximity effect of a dynamic, the WA-19 captures vibrant top-end for enhanced detail, surpassing many studio dynamic microphones.This sound has been leveraged by artists like The Beatles, Tame Impala, Slayer (Kerry King), and many more. With elite, upgraded build quality and premium components, the WA-19 revives all the tone of the original 60s-era dynamic mic.

Unlike the “standard” dynamic mics of today, the WA-19 delivers top-end clarity similar to a condenser microphone, with a frequency response (30Hz–18Khz) that emphasizes upper-mids and rolls off the harshest highs. The tuned transducer sounds great as a snare bottom mic, rejecting all of the boom and noise of the kick drum.

As an acoustic guitar mic, the WA-19 is able to capture the “shimmer” and detail in the upper-mids and highs without sacrificing rich woody tone. The thin pencil-style body design of the WA-19 allows for easy mic placement in crowded studio or live performance situations where mics are on top of each other - like recording acoustic guitar and vocals simultaneously, tracking a whole band, or miking a full drum kit. The WA-19 has a dynamic humbucking coil that helps the mic deliver elite off-axis rejection, especially in the bass/lower midrange with minimal noise, making it easy to grab tight snare bottom tones without aggressive kick drum bleed.

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0:00 - History & Product Overview
1:14 - Sound Profile
3:30 - Features & Components

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