On a mission to become a true Cinematographer while being the most relatable filmmaker on YouTube :) Not selling useless LUT's but let me know if you want to chat-- [ Ссылка ]

Just spreading my workflow and settings to expose S-log 3 in low light situation. And how to get the best footage out of the high base ISO of 12800.

I admit it's not as clean as shooting at iso 800. Where I would say if you're over exposing you're doing something wrong. But ISO 12800 is different. Very good and amazing because no other camera can match this. But it requires a bit more light and so I suggest over exposing at least by 1 stop.

The easiest way to achieve this is by monitoring at ei 8000, ei 6400 or max ei 10000. By doing this you footage will look darker on the monitor so you'll try to compensate by moving closer to light sources or opening the aperture.

In post you'll end up with a slightly over exposed log file. Where you should bring the overall exposure down BEFORE converting to REC.709. (Which is why I love the Davinci Resolve node structure for grading.)

Hope I at least helped one person....

All shot on the #sonyfx6 #sonyfx3 in #slog3 and a bit on the #bmpcc6k
@sonycine
Last step in my grading process will always be Dehancer.
Use code BELGIANDOP for 10% off when buying - [ Ссылка ]

- Camera used to film A-roll: [ Ссылка ]
- Camera used for B-roll: [ Ссылка ]
- If you can only buy one Sony lens: [ Ссылка ]
- Coloured lights used: [ Ссылка ]
- Key light: [ Ссылка ]

Talking head setup: Nanlite 60b + Pavotube 30c / Sony FX3 / Nikon AI's 35mm
--- Gear I use for my video production: [ Ссылка ]


Ciao.

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