Sample test shots with the Rokinon 14mm, 24mm, 35mm, 50mm, and 85mm Cine DS lenses. The Cine-DS lenses covers full frame, super 35, APS-C, and Micro 4/3 sensors.

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All footage in this video was shot with the Canon Rebel T4i / 650 and the Canon 5D Mark II and edited with Adobe Premiere CC with minimum color correction. Below are the Rokinon Cine DS lenses we used to film (sorted by shot number):

Shot 01: 85mm
Shot 02: 35mm
Shot 03: 50mm
Shot 04: 50mm
Shot 05: 50mm
Shot 06: 50mm
Shot 07: 14mm
Shot 08: 35mm
Shot 09: 24mm
Shot 10: 14mm
Shot 11: 50mm
Shot 12: 50mm
Shot 13: 35mm

Rokinon released their new line of Cine DS cinema prime lenses in mid-September 2014. These Rokinon cinema lenses are fast, high quality lenses perfect for low-budget filmmakers and cinematographers. The Rokinon lenses have color matched optics and uniform focus and iris gears.

Most Rokinon Cine Prime lenses will cover 35mm Full Frame (14mm, 24mm, 35mm, 50mm, and 85mm) and Super35 and APSC (8mm, 10mm, 12mm, 14mm, 16mm, 24mm, 35mm, 50mm, and 85mm). The Rokinon Cine Primes are available in a variety of Mount Options: Canon EF, Nikon F, Sony E, Micro 4/3, and Fuji X.

The "DS" stands for "Dual Scale", which means there is a smart and dumb side scale for operating the lens from either side of the camera. The focus and iris gears have been moved to a standard position in order to maintain a consistent position from one lens to another. This makes it easier to swap lenses when using a follow focus or focus motor. Also, each of the DS lens are color matched for consistent look through the set of lenses.

Note: These primes lenses were originally designed for manual focus photography by Samyang, then release under Rokinon in the US. For more information on the Rokinon Cine DS Lenses, check out this great article from Matthew Duclos:

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Shot by Jack Vang, Larry Moua, Steven Vang
Edited by Larry Moua

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