The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber's Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini's opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner's Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater.
Michael Riedel presents the drama behind every mega-hit or shocking flop, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.
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Michael Riedel has been the theater columnist for the New York Post since 1998. Michael's first book Razzle Dazzle: The Battle for Broadway won the Marfield Prize for arts writing in 2015 and is widely considered to be the successor to William Goldman's celebrated 1967 book about Broadway, The Season. A graduate of Columbia University, Michael lives in the West Village.
Peter Marks joined The Washington Post as its chief drama critic in 2002. Previously, he worked for more than nine years at the New York Times, where he was a drama critic, theater reporter, metro reporter and national correspondent during the 2000 presidential campaign.
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