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SHORT SUMMARY;
This Asylum film was shot in five days.
With that depressing fact in mind, I found the end result surprisingly compelling thanks to some well-tuned performances, a much more serious tone than you'd expect, and some great monster makeup work (Yay! Classic Wolfman!). Prepare yourself for a movie that mainly involves monsters standing in stylishly lit rooms talking to each other, and you'll find stuff to enjoy —like a sympathetic Frankenstein's monster portrayal, a compelling Dracula, and a sleepy Michael Madsen. In all honesty, for as little mashing as there is (Mostly limited to Frankenstein's monster delivering headbutts), there's more than in FRANKENSTEIN MEETS THE WOLFMAN.
I've always been baffled as to why there aren't many fun Asylum movies, and the head-spinning truth I've learned through interviews with filmmakers is that they're micro-managed to death by producers - who demand script changes, lighting changes, and more to fit their particular vision, which is seemingly "Bland and lifeless." The only way to get anything vaguely interesting through is if you love what you're doing and are willing to fight for it, so hats off to MONSTER MASH's Writer/Director Jose Prendes for crafting something that's got that monster kid energy to it, which I need to underline once more, was shot in FIVE FREAKING DAYS.
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