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Timecop1983 - Waves.
80's influenced music made with a combination of vintage and modern gear.

Synthwave (also called outrun, retrowave, or futuresynth) is a genre of electronic music influenced by 1980s film soundtracks and video games. Beginning in the mid 2000s, the genre developed from various niche communities on the Internet, reaching wider popularity in the early 2010s. In its music and cover artwork, synthwave engages in retrofuturism, emulating 1980s science fiction, action, and horror media, sometimes compared to cyberpunk. It expresses nostalgia for 1980s culture, attempting to capture the era's atmosphere and celebrate it.
Synthwave was inspired by many 1980s films, video games, and cartoons, as well as composers such as John Carpenter, Vangelis, and Tangerine Dream, however the genre itself arose from electronic dance music genres including house, synth, and nu-disco.
The subgenre name "outrun" comes from the 1986 driving arcade game Out Run, which was known for its soundtrack that could be selected in-game. According to musician Perturbator (James Kent), the style is mainly instrumental, and often contains 1980s clichéd elements in the sound such as electronic drums, gated reverb, and analog synthesizer bass lines and leads, all to resemble tracks from that time period.
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⬢ SIMMONS SDS 2000 (with internal DIGITAL REVERB)
The SDS 2000 it's a digital module triggered by external drum pads. Mainly based on samples derived from the big SDS X sampler. The SDS-2000 is the last drum brain from the company before the closure (1989).
Synthesis: PCM
Polyphony: 5 voices
Multimbric: 5 part
Oscillator: 1 sample per voice
Memory: 8 rom kits+ 10 users
FX: reverb card 16 bits DSP
There are 8 ROM KITS in memory
⬢ SIMMONS SDS 7 + Alesis Microverb 3 (connected to SDS 7).
The SDS7 was the first SMMONS offering a digital sound source beside the famous and well-established analog sound generation. Both "worlds" can be mixed. Each of the up to 12 modules carries an eprom with an 8 bit sound sample which can be edited with the well known and succeful analog filters. These sounds are taken from a Simmons library or can be sampled and burned with the Eprom Blower EPB. The filter settings can be saved in up to 99 kits.
The SDS7 was the successor of the famous SDS V (5) in 1983 and entered the market as the new SIMMONS flag ship.

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