Composers Saad Haddad and Nicky Sohn talk about why they didn't want to teach at Juilliard.

From ballet to opera to Korean traditional-orchestra, the wide-ranging talent of composer Nicky Sohn is sought after across the United States, Europe, and Asia. Characterized by her jazz-inspired, rhythmically driven themes, Sohn’s work has received praise from international press for being “dynamic and full of vitality” (The Korea Defense Daily), having “colorful orchestration” (NewsBrite), and for its “elegant wonder” (Frankfurter Allgemeine Zeitung), among many others. As a result, Sohn has enjoyed commissions and performances from the world’s preeminent performing arts institutions, including Stuttgart Ballet, National Orchestra of Korea, Minnesota Orchestra, Sarasota Orchestra, Aspen Philharmonic, and New York City Ballet.

Nicky Sohn is currently pursuing a fully-funded doctoral degree at The Shepherd School of Music of Rice University and holds a Master of Music Diploma from The Juilliard School. Her early years are marked by a voracious eagerness to learn: Already a student of piano at the age of two, she began seriously studying composition at the age of seven. At fourteen, Sohn completed her high school diploma, and would go on to receive both a Bachelor of Music degree and a Diploma of Piano Performance from the Mannes College of Music. She is grateful to her pedagogues, which include Robert Beaser, Anthony Brandt, Chris Theofanidis, and Richard Danielpour.

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