George used an octave fuzz pedal- the Fender Blender, plugged into his silverface Fender amp to get this classic tone. I'm using my octave fuzz- the Wattson Classic Electronics FY-6 (based on the Univox Superfuzz) into my 1974 Silverface Pro Reverb!

Eric Clapton played the Stratocaster rhythm part on his beloved 1956 'Brownie' guitar, plugged into a Fender Champ amp. I'm playing my AVRI Stratocaster into a REAL 1962 tweed Champ. My slide parts are also recorded with this setup

At 3:29 Clapton accidentally goes up to the 12th fret and plays an E, instead of a D at the 10th

The intro riff also was given flanging treatment, with ADT (Automatic Double Tracking). I recreated this using Abbey Road J37 tape plug-ins.

The Fender Blender and Superfuzz differ from the Octavio fuzz pedal that Roger Mayer made for Jimi Hendrix. The Octavio only produces octave overtones above the 9-12th frets. This makes the Fender Blender great for this song, because the riff is played down at the 1-3rd frets. Check out Live at Leeds by the Who to hear a Superfuzz in action

The Apple band Badfinger played two acoustic guitars on this song. Mostly likely a Martin D-28 and some sort of 12-string guitar

SIGNAL CHAIN-
Fuzz Guitar: 2005 Gibson Les Paul Standard (OX4 Low WInd PAF pickups)
into my 1974 Fender Pro Reverb (Weber 12F150 12" Ceramic speakers)
Shure SM57

Eric Clapton's part: 2012 Fender AVRI '59 Sonic Blue Stratocaster (2007 AVRI Maple Neck)
into my 1962 Fender Champ (Weber Alnico 8" Blue Pup)
Neumann TLM-103

For George's slide parts I used the same setup as Eric's parts^ This guitar is tuned to open E
*did use a Strymon Deco for slide (flange)

Acoustic Guitars:
1967 Gibson B-25-12 12 String Acoustic in Cherry Sunburst (refin)
1969 Martin 00-18
Neumann TLM-103


Thanks for watching! Please subscribe and check out my other covers-
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