In this video, I analyse how the overall singing style of European Medieval music was markedly different from current Classical conservatory techniques, and resembled current Greek, Arabic, Bulgarian or Turkish forms of singing far more—styles of singing defined by less precise pitch and florid melismatic delivery.

Sources:
"The Sound of Medieval Song, Ornamentation and Vocal Style According to the Treatises"
Timothy J. McGee, Latin translations by Randall A. Rosenfeld

"Ornamental" Neumes and Early Notation" Timothy J McGee
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