Softube MK2 Tube-Tech CL-1B Compressor - Native Instruments Maschine 2.0

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Optical compressors have a particular way of responding to the incoming signal that is uniquely compelling and musical. But they are of course not all the same, and the Tube-Tech CL 1B is the prime example of what an optic compressor is capable of. It is highly versatile and can go from soft and gentle to snappy and punchy by the twist of a few knobs.

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Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

Email me for Skype lessons, mixing or mastering at: N828music@gmail.com

Studio gear:

1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB
2. DAW: Studio One 4, Logic Pro X, Machine 2
3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub
4. Audio Interface: Antelope Audio Zentour & UAD Apollo
5. DAW: Studio one 3, Maschine 2, Logic x 10.3
6. Software: Native Instruments Komplete 9, Tone 2 electra 2
7. Console 1 MK2
8. Sonarworks Reference 4
9. Screen Video Capture: Screen flow 6.2

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Tube-Tech CL 1B is one of those units that has a defined personality while still being useful on a variety of sound sources in a variety of situations. It can be used for a calm and natural dynamic control, but depending on your settings, it can bring out punch and life from any material. Because of its way of treating the signal differently depending on the frequency content, it gets a lot of love when used on material with a wide frequency range, such as an electric bass that both needs low end control and a snappy presence, or an acoustic guitar that needs to be large sounding and close to the listener. And sometimes, the opto character is just what the doctor ordered for a full mix.

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