"The golden age of Persian pop music was lived in 1960s and 1970s in Tehran where a relatively western type of life was in place. In this period the music market in Iran presented a great spectrum of musical genres and one of the representatives of Persian Pop was رامش Ramesh original name of the Persian month Azar Mohebbi, who came from classical Persian music roots.
Although Ramesh was not a typical group music singer, she lived and made her audience live every experimental musical transformation for a singer who came from a traditional background. She displayed a fusion of 1970s Persian pop of eastern and western elements with funky impacts containing intros of east blended with quite experimental western interventions by the help of talented and visioned arrangers and composers.
While creating this funky Persian pop, she used Azeri Persian music in a great deal. Her local and native attitude was widely supported by wah wah guitars, brass, strings and synthesizers. Her melancholy in vocals and funky attitude made Ramesh’s music a unique one. If she was parrtly forgotten by Persian audience, the reason is mostly the deformation of the intellectual background that could perceive her experiments and attitudes in musical creation."

After the 1979 Revolution, pop music was banned and completely disappeared from the scene in Iran. Many Iranians emigrated to foreign countries, especially to Los Angeles in the United States, and many continued to sing in exile.

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