There is a lot of anxiety when it comes to shooting in LOG, simply because of the fear of not being able to get the footage in to a good starting point to build a grade off of. Another reason for not shooting in LOG has been because of quick turn around times and wanting to reduce the amount of time needed for post production. This tutorial covers both of these topics and shows you how to keep quick turnarounds and to correctly convert your LOG footage to a Rec.709 color space, in Davinci Resolve

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