The second of the set is primarily a duet in texture, although there are moments in which there are three and even four voices. Marked Adagio, the D major piece moves between polyrhythmic and homorhythmic passages. After a brief, intense push toward "sharp" harmonies in the middle section, we hear a return of the opening material, compressed and modified to provide a firm close.
Please feel free to share, like, and subscribe for more videos!
"------------:Social Media:------------"
Twitter: [ Ссылка ]
