MAW XLR Pedal - Available at [ Ссылка ] and participating dealers worldwide.

What began as a simple request for a vocal version of an OBNE effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It’s the new multi-tool for effects lovers on stage and in studio.
In an attempt to succinctly explain the parameters and capabilities of MAW, we find Dan on a night-off at the bar and let him walk us through three different real-time MAW scenarios. He starts with Ryan's vocals and explores the Saturation section, some Delays, Reverbs, and everyone's fave, Octaves. Did we mention MAW has trails? Ryan starts to wild card a little bit so Dan moves onto showing us what MAW does in the context of a Snare mic and an Overhead mic on Brent's drum set. Dan goes over some short and long Reverbs and Delays on the drums as well as Phaser on the Overheads. We then hear the Alpha Haunt Fuzz in the Send / Return, larging-and-in-charging that snare signal. This is also where he explains the Clever-Switching function of MAW's footswitches—tap to engage the effect, hold for momentary function. Once the stage is put back together after the drums got knocked over Dan explains MAW in the context of an Organ. He effects Ben's signal with the Rotary, Pitch, and finally Short and Long Delay modes of MAW and then plugs in two Expression Sliders to control the Feedback functions of the two independent Delay Modes. By that point Dan is ready get off the inter-dimensional roller coaster he's riding and just catch the band.

Thanks to them by the way, the House Band is Benjamin King on Organ, Brent Hodge on Drums, and Ryan Lindsey on vocals. and Thank you to all the patrons who came out for MAW that tornadic night in late August in Oklahoma City and celebrated MAW with us. If you ever find yourself in OKC and are looking for a sturdy place to wet your whistle, 51st Speakeasy off of Western comes recommended. Thanks to our friend Greg for facilitating this whacky concept.

A little bit of technical information about the video:
Dan is speaking into an Electro Voice 635a microphone, Brent's drums are mic'd with an EV RE-20 on the overhead and a Sennheiser 421 on the Snare. The Organ is running direct-out into MAW. Connor is off-camera capturing it all via a mobile audio rig.

MAW features:
XLR preamp for use with microphone level signals
Switchable saturation section with blend, volume, and tone controls
Two independently controlled effects sections with modulations, delays, reverbs and octaves, and controls over mix and two parameters of each
A send/return to patch in external effects
Post-saturation dry output for mixing versatility
Relay bypass switching with momentary or latching functionality and effects trails
Standard 9VDC center negative power

MAW is available for $279 USD direct at [ Ссылка ] from Old Blood Noise Endeavors and from participating dealers worldwide.

Video produced by Old Blood Noise Endeavors in collaboration with Atria Creative.
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