Mozart Concerto no.23 in A major k.488 1part/ Elisey Mysin
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Концерт в Белгороде, 01.09.2021
Дирижер: Филатов Дмитрий
Солист:
🎹 Елисей Мысин, ученик Центральной музыкальной школы при Московской государственной консерватории Чайковского
🎹 Педагог: заслуженный артист России, профессор Московской государственной консерватории им. П.И. Чайковского Н.В. Трулль.
педагог Центральной музыкальной школы при Московской государственной консерватории им. П.И. Чайковского Цветков Д.С.
00:00 Mozart Concerto no.23 in A major k.488 1part
10:44 С. Рахманинов "Итальянская полька"
Исполняют Елисей Мысин и Денис Мацуев
Запись любезно предоставлена Государственной филармонией г. Белгород
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The Piano Concerto No. 23 in A major K. 488 is a concerto for piano and orchestra written by Wolfgang Amadeus Mozart.
The first movement is in A major and is in sonata form. The piece begins with a double exposition, the first played by the orchestra, and the second when the piano joins in. The first exposition is static from a tonal point of view and is quite concise, the third theme is not yet revealed. The second exposition includes the soloist and is modulatory. It also includes the previously unheard third theme. The second exposition is ornamented as opposed to the first exposition which is not. The second theme has harmonic tension. This is expressed by dissonances that are played on the beat, and then solved by an interval of a descending second. This is also expressed in the use of chromatics in the melody and bass lines which is a source of harmonic tension, as the listeners anticipate the arrival of the tonic.

The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone with a theme in Siciliano rhythm characterized by unusually wide leaps. This is the only movement by Mozart in F♯ minor.[1] The dynamics are soft throughout most of the piece. The middle of the movement contains a brighter section in A major announced by flute and clarinet that Mozart would later use to introduce the trio "Ah! taci ingiusto core!" in his 1787 opera Don Giovanni.

The third movement is a sonata-rondo. It is shaded by moves into other keys as is the opening movement (to C major from E minor and back during the secondary theme in this case, for instance) and with a central section whose opening in F-sharp minor is interrupted by a clarinet tune in D major, an intrusion that, according to Girdlestone, reminds one that instrumental music at the time was informed by opera buffa and its sudden changes of point of view as well as of scene

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