This is part five of my videos showing Joji's amazing discography and explaining his music videos which have left some feeling confused as to what they actually mean because of their cryptic messages. With reoccurring themes and characters, some have also expressed an idea that there might be a Joji universe or Joji-verse.

But is this really true?

Well, I for one believe that there is a Joji-verse because there are enough connections between Joji’s music videos that not only show his talented vocals and incredible music but also creative ability for songwriting.

This is my video explaining why.

Contents:
0:00 Chapter 11 - Ew
4:43 Chapter 12 - MODUS & Tick Tock
9:44 Chapter 13 - Daylight
15:01 Chapter 14 - Upgrade, High Hopes & NITROUS
23:59 Chapter 15 - Pretty Boy & Normal People
31:47 Chapter 16 - Mr. Hollywood, 777 & Like You Do
39:23 Chapter 17 - Your Man

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Volume 1: [ Ссылка ]
Volume 2: [ Ссылка ]
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Volume 4: [ Ссылка ]

Who is Joji?

George Kusunoki Miller (born 18 September 1992), better known by his stage name Joji and formerly by his online aliases Filthy Frank and Pink Guy, is a Japanese singer-songwriter, record producer, author, and former Internet personality, YouTuber, and comedian.

Miller's start as an entertainer began on his 3 now defunct YouTube channels: DizastaMusic, TVFilthyFrank, and TooDamnFilthy. They consisted of rap songs, swearing, rants, extreme challenges, ukulele performances and a shock humor show titled The Filthy Frank Show, with most of the main characters played by Miller, including the titular character of Filthy Frank.

To complement his TVFilthyFrank channel, Miller produced comedy hip hop music under his Pink Guy alias, who is also a zentai-wearing recurring character on The Filthy Frank Show, with his songs featured on the show and his discography spanning two full-length projects and an extended play. Miller's videos had widespread impact, including starting a viral dance craze known as the Harlem Shake, which was directly responsible for the debut of Baauer's "Harlem Shake" song atop the Billboard Hot 100. Many YouTube personalities have made major or cameo appearances on The Filthy Frank Show, including h3h3Productions, iDubbbz, JonTron, Michael Stevens, and PewDiePie.

In December 2017, Miller stated he had retired the channel to focus on his music career, under the name Joji, producing more nuanced and serious music, releasing the EP In Tongues, which peaked at number 58 on the Billboard 200, and his debut studio album Ballads 1, which reached number 1 on Billboard's top R&B and hip-hop chart in November 2018. With this, Miller became the first Asian-born artist to do so. Miller's music has been described as a mix between R&B, lo-fi and trip hop. Aside from the comedic and often rap-based music he created under the Pink Guy alias, Miller also created more serious and traditional music under another stage name, Joji, which became his primary focus in late 2017.

Speaking on his transition from his YouTube career to his music career as Joji, Miller said to Billboard "now I get to do stuff that I want to hear." In the article by Billboard, he specified that 'Joji' isn't a character like Filthy Frank and Pink Guy. "I guess that's the difference," he continues. "Joji's just me."

During his time growing up in Higashinada-ku, Kobe, Japan, Miller began to produce music and sing with friends as a side-hobby and a way to pass the time. After relocating to Manhattan, New York, Miller expanded upon his music career by starting his Pink Guy persona, which paved the way for his Joji persona. Miller originally announced his Joji album on 3 May 2014 alongside the first Pink Guy album. However, Miller subtly cancelled the project until he began releasing music under the name PinkOmega. Miller released two songs as PinkOmega: "Dumplings" on 4 June 2015 and "wefllagn.ii 5" on 28 August 2015, both of which were later released on the Pink Guy album Pink Season, the latter being re-titled "We Fall Again".

And if you’re still reading this – hello.

This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. [ Ссылка ] [ Ссылка ]

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