Mozart's Requiem: Unraveling the Mystery: [ Ссылка ] is out now.

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Wolfgang Amadeus Mozart - Requiem in D minor K 626 - Live Version with Lyrics in Latin and English in full HD. Curiosity about Requiem Mozart below in description.

The Requiem in D minor K 626 was composed in Vienna on 1791 by Wolfgang Amadeus Mozart and left unfinished at the his death on December 5.

Count Franz von Walsegg had anonymously commissioned the piece for a Requiem Mass to commemorate the February 14 anniversary of his wife's death.

The completion dated 1792 by Franz Xaver Süssmayr.

It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own.

STRUCTURE OF THE REQUIEM D MINOR K 626
00:04 - Introitus -
04:40 - Kyrie -
06:55 - Dies irae -
08:40 - Tuba mirum -
11:58 - Rex tremendae -
14:05 - Recordare -
18:58 - Confutatis -
21:05 - Lacrymosa -
23:57 - Domine Jesu -
27:05 - Hostias -
30:34 - Sanctus -
32:28 - Benedictus -
37:05 - Agnus Dei -
39:33 - Lux Aeterna -
42:16 - Cum Sanctis tuis -

Full Lyrics in latin and English translation here: [ Ссылка ]
Full Scores here: [ Ссылка ]

INFLUENCES AND CURIOSITY ABOUT REQUIEM D MINOR K626

1- "And with his stripes we are healed" by Handel (listen it here: [ Ссылка ])
The subject of the fugato, in which Handel was a master, is the same, with only slight variations by adding ornaments on melismata.

2- "Funeral Anthem for Queen Caroline (HWV 264)" by Handel
The Introitus is believed it was inspired by Handel's Funeral Anthem

3- "Sinfonia Venezia" by Pasquale Anfossi
The Confutatis may have been inspired by Sinfonia Venezia by Pasquale Anfossi (listen it here [ Ссылка ])

4- "Requiem in C minor" by Michael Haydn
Mozart and his father heard at the first three performances in January 1772. Some have noted that M. Haydn's "Introitus" sounds rather similar to Mozart's, and the theme for Mozart's 'Quam olim Abrahae' fugue is a direct quote of the theme from Haydn's Offertorium and Versus.

MYTHS ABOUT REQUIEM D MINOR K626
With multiple levels of deception surrounding the Requiem's completion, a natural outcome is the mythologizing which subsequently occurred.

One series of myths surrounding the Requiem involves the role Antonio Salieri played in the commissioning and completion of the Requiem (and in Mozart's death generally).

While the most recent retelling of this myth is Peter Shaffer's play Amadeus and the movie made from it, it is important to note that the source of misinformation was actually a 19th-century play by Alexander Pushkin, Mozart and Salieri, which was turned into an opera by Rimsky-Korsakov and subsequently used as the framework for Amadeus.

#darkambient #catholicmass #catholic #liturgy #ambientchoirmusic #benedictinemonks

CREDIT
Performed live by MIT choir orchestra

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