Carlo Crivelli was born circa 1430, died circa 1495, He was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini.

His paintings have a linear quality identified with his Umbrian contemporaries. Crivelli is a painter of marked individuality. Unlike Giovanni Bellini, his contemporary, his works are not "soft", but clear and definite in contour with marked attention to detail. His use of trompe-l'œil, often compared with that found in the works of Northern Renaissance painters like Rogier van der Weyden, includes raised objects, such as jewels and armor modeled in gesso on the panel.

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