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SOURCES
Roi Tartakovsky, “E. E. Cummings's Parentheses: Punctuation as Poetic Device” Style
Vol. 43, No. 2, Temporal Paradoxes in Fiction and Stylistics in American Literatures (Summer 2009), pp. 215-247
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Martin Heusser, “Transcendental Modernism: E. E. Cummings’ Moon Poems” Aspects of Modernism: Studies in Honour of Max Nänny (1997)
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Martin Heusser, “Unity Through Duality: Paradox Between The Relation of Self and Other in the Poetry of E.E. Cummings” Das Paradox: eine Herausforderung des abendländischen Denkens (2002)
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Nicolas Ansel, “E.E. Cummings, Revisited” (A thesis submitted to the faculty of Wesleyan University) (2012)
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Ralph J. Mills, Jr., “The Poetry of Innocence: Notes on E. E. Cummings” The English Journal, Vol. 48, No. 8 (Nov., 1959), pp. 433-442
Rudolph von Abele, "Only to Grow": Change in the Poetry of E. E. Cummings” PMLA, Vol. 70, No. 5 (Dec., 1955), pp. 913-933
Raw audio of Cummings reading "i carry your heart with me"
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FURTHER READING
e.e. cummings, i: six nonlectures (The Charles Eliot Norton Lectures)
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Eve Triem, “E.E. Cummings” University of Minnesota Pamphlet on American Writers No. 87 (1969)
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nathan tebokkel, “E.E. Cummings and Pataphysical Love” (via Post-Scriptum)
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