RED Komodo - Sigma 18-35 - LQ Codec
Sony a7siii - Sony 24-70 gmII - ProRes RAW HQ

Testing out the workflow with both these cameras - The Komodo workflow is much nicer than the ProRes RAW.
With both cameras I applied a similar node tree in Davinci to color grade. The ProRes RAW footage I converted to CDNG and made CST conversions in resolve.
ProRes RAW took double the time to upload and convert to edit in DaVinci and the colors take much more adjusting to look decent. Noise Reduction was applied on all the Sony clips because the sensor is very noisy compared to the Komodo. No NR on the Komodo.

Overall you can get a great image on both I just wouldn't say the workflow is worth it to shoot in RAW on the Sony.

Let me know if you have any questions!

[ Ссылка ]

свернуть