Simakova artfully combines vintage rock and symphonic orchestrations, synthesizers and environmental sounds. As part of the manifesto, a public talk was held with Jazz Radio: Anastasia and Peter Voloshin, the authors of such an innovative direction of self-development as fluidic dynamics, discussed the topic of vibrations and why some people become in demand in their work, while others do not succeed, despite their efforts.

The culmination of the evening was the show of the epic, cosmic Natalia Simakova accompanied by a symphony orchestra and choir. And not even a show, but something akin to a spiritual experience, when the performer and the audience were connected to the same channel and lived together pain, fears, passion, love, obsession, emptiness, power and weakness. Everything is through music, movement, through subtle attunement. The sounds of the harp lifted to heaven, the choir, which refused to ascend to the stage, but remained in the auditorium among the guests of the evening, danced chaotic, almost primitive dances — there was so much power and naturalness in their living existence. Holiday of the soul. Birthday of the heart. The triumph of the spirit.

See, Hear, Feel – became the leitmotif of the Vibrations art manifesto. Everything seems to have succeeded, and with an abundance.

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