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Although the nation was not yet at war in January 1941, President Franklin D. Roosevelt used his annual message to Congress to proclaim the Four Freedoms as a de facto war standard to one and all. 

Building on his reflections into the nature of freedom in the months beforehand, he enumerated for his audience each of the freedoms, stressing that they were not just a national ideal, but one that was needed “everywhere in the world.”  Seven months later, in a secret meeting with Winston Churchill at sea, the two leaders signed the Atlantic Charter, whose principals built on the Four Freedoms and gave the president’s notion even more publicity.

Despite these highly public moments, however, the concept of the Four Freedoms failed to resonate on Capitol Hill, in journalistic reports, or even with the American public.  Not even the government’s official Four Freedoms pamphlet, released six months after Pearl Harbor, was able to attract much attention. As pollster George Gallup noted, the president’s rallying cry had still “not registered a very deep imprint here at home.”  By early 1943, staffers within the Office of War Information had begun to conclude in internal memoranda that FDR’s Four Freedoms theme had turned into an embarrassing flop.

It was not until Norman Rockwell painted his Four Freedoms that Americans could really understand what they were fighting for and why the Four Freedoms were so important to the country and the world.

ABOUT ROCKWELL, ROOSEVELT & THE FOUR FREEDOMS
Rockwell, Roosevelt, & the Four Freedoms is a tour exhibition organized by the Norman Rockwell Museum, that will travel to seven cities across America and internationally to France.

The exhibition opens in New York City at the New-York Historical Society on May 25, 2018. For a complete list of venues and the touring schedule, please visit:
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