Sources
Sally Potter by Kristi McKim at: [ Ссылка ]
Symbolism in V. Woolf's ― Orlando (Cognitive Tools of Figurative Thought) by Natalya Davidko — paper at: [ Ссылка ]
Mapping the Site of the Gendered Body in Potter’s Orlando (1992) by Helena Young — paper at: [ Ссылка ]
Can Clothing affect the Fluidity of Gender in Woolf’s ‘Orlando’? by Jaya Arora. (
Instagram: [ Ссылка ]).
A Feminine Cinematics: Luce Irigaray, Women and Film by Caroline Bainbridge; Chapter 6: Orlando and The Maze of Gender.
(Twitter: [ Ссылка ]
[ Ссылка ]).
‘Same Person… Just a Different Sex’: Sally Potter’s Construction of Gender in ‘Orlando’ by Catherine Craft-Fairchild.
[ Ссылка ]
The Greatest Literary Groups in History Article on Penguin Random House.
Lifestyle and Legacy of the Bloomsbury Group Article on Tate.
Orlando by Mark Smith
[ Ссылка ]
[ Ссылка ]
Work: [ Ссылка ]).
Orlando — 1992 Potter by Drake — article at: [ Ссылка ]
Orlando review – Tilda Swinton is magnetic in Sally Potter’s swoony reverie by Peter Bradshaw
(Twitter: [ Ссылка ]
Amazon: amzn.eu/d/6ZOMb4u).
Orlando: The most subversive history film ever made by Rachel Pronger ([ Ссылка ]
Instagram: [ Ссылка ]).
Travels with Sally Potter’s Orlando: Gender, Narrative, Movement by Julianne Pidduck (Google Books: [ Ссылка ]
[ Ссылка ]).
Unclothing Gender: The Postmodern Sensibility in Sally Potter’s ‘Orlando’ by Suzzane Ferris and Kathleen Waites (Suzzane: [ Ссылка ] and Kathleen: [ Ссылка ]).
Scopophilia in Oxford Reference.
Present in the Picture: Potter’s Inclusion of the Audience in Orlando by Kate Bellmore ([ Ссылка ]).
Gender, Sex, Societal Roles Go Wild in Woolfe’s ‘Orlando’ by Christopher J. Hernandez ([ Ссылка ]).
Pathway: Cinematography and Shot Analysis in Orlando by Jake Stickley ([ Ссылка ]
[ Ссылка ])
Queens and queenliness: Quentin Crisp as Orlando’s Elizabeth I by Glyn Davis ([ Ссылка ]
[ Ссылка ]).
Orlando (1992): Film Review of the Drama Starring Tilda Swinton by Jason Day on [ Ссылка ].
Queering the Oscars: The Costumes of "Orlando" by Cláudio Alves [ Ссылка ]
Orlando From 1600 to 1650 by Sarah Lorraine.
Orlando From 1650 to 1700 by Sarah Lorraine.
Orlando in the Victorian Era by Sarah Lorraine.
Orlando in the Mid-18th Century by Sarah Lorraine.
[ Ссылка ]
The Furniture: Orlando’s Otherworldly Pageantry by Daniel Walber [ Ссылка ]
How Cult Genderqueer film Orlando Might Inspire the Met Gala by Chloe Esslemont.
[ Ссылка ]
The compromised sexual positioning of Orlando: postmodern play in gender and filmic conventions by Christina Lane.
[ Ссылка ]
Orlando Film Review by Frederic and Mary Ann Brussat.
[ Ссылка ]
The Mirror Didn’t Crack: Costume Drama and Gothic Horror in Sally Potter’s ‘Orlando’ by Sophie Mayer.
[ Ссылка ]
Immortal Longing: Sally Potter on Orlando by Walter Donohue.
[ Ссылка ]
Feminist Commentary in Film Adaptation: An Analysis of Shelmerdine in Sally Potter’s Orlando (Virginia Woolf) by Laura Torres Zuniga.
[ Ссылка ]

Timestamps
00:00 Introduction
01:12 The Division of Orlando/The Structure of Orlando
04:23 The Oak Tree
07:30 Aside
10:15 Death
13:24 Love pt. 1
15:04 Clothing pt. 1
16:21 Love pt. 2
21:30 Poetry
22:59 Politics
24:39 Metamorphosis
27:07 ‘Same Person, No Difference at All.’
35:23 Clothing pt. 2
39:20 Society
43:14 Maze
48:30 S*x
52:09 Birth


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