Chunking chords! A useful concept I got from Jazz players who practice fast or difficult sections as a movement or a combination of scales, positions, or arpeggios. We know what the next chord is going to be! How do we craft transitions between them instead of thinking "I am on this chord noew, and next, I will be on that chord"? I suggest you have fun improvising over Reelin' in the Years for this example.

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