Composer and electroacoustic expert Scott Wilson discusses his explorations into the world of experimental multichannel audio and his work as the director of B.E.A.S.T (Birmingham ElectroAcoustic Sound Theatre).
In his masterclass, Scott takes us through the history of B.E.A.S.T and how it has evolved into one of the largest multichannel array systems in the world; electroacoustic music; TUVAN music; Acousmonium; inter-aural cross correlation and ambisonics.
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0:00 - Intro
0:46 - Introduction to B.E.A.S.T
15:57 - Historical examples of spatialised sound
27:03 - Interpreting sound on multichannel systems
32:07 - How B.E.A.S.T evolved over the years
54:35 - Diffusion, Precedence Effect and Franssen Effect
57:26 - Distinctions between different multichannel systems
1:01:42 - What really matters in a multichannel system for the presentation of music?
1:13:36 - Addressing the problems with multichannel setups
1:16:19 - Ambisonics
1:25:48 - Composing with Stems
1:33:12 ‘Böse’ Binaural Performance (Headphones recommended)
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dBs Sound & Music Institute is a multi-location, music and audio education specialist based in the UK. Our mission is to effect positive social change through sound, providing excellent specialised training and support for our students, fostering enduring relationships in our community, and developing innovative sound-based solutions to make the world a better place.
We're here to help you craft your passion in music production, live sound, audio programming, sound design, music and sound for screen, electronic music and more.
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