#bengalclassicalmusicfestival #bengalfoundation
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Kaushiki Chakraborty’s rendition of the Meera bhajan ‘Sawara bhari preet nibha jo ji’, set in Raga Nand, is a lively exploration of prayer to Lord Krishna in the "Bhajan" light classical genre. A doyen of the Patiala gharana, Chakrabarty’s lilting voice and ease of improvisation make it a wonderful listening experience. The Bhajan was performed by Kaushiki Chakraborty at the Bengal Classical Music Festival in Dhaka, in 2015. On stage she is ably accompanied by the harmonium virtuoso Ajay Joglekar and the acclaimed tabla artist Satyajit Talwalkar.
Kaushiki Chakraborty’s astonishing khayal vocal technique is the result of years of intense training. She spent much of her childhood living at the ITC Sangeet Research Academy, one of India’s premiere music institutions, while her father Pandit Ajoy Chakraborty worked there as a khayal scholar. She known for a strong Islamic influence and elaborate melodic ornamentation, and has become one of the first female singers from this tradition to receive international recognition. Today she focuses on Hindustani classical music, but has also sung in films and recorded popular songs.
Bengal Foundation invites you to enjoy and experience exclusive renditions of Indian classical music by some of the finest artists of our times.
Other Performance BCMF 2012 :
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Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival. Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh.
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