Sure its a little hungover and sloppy, but this is a pretty good illustration of why Uncle Larry doesn’t use Kempers and Fractals and all that modeling horseshit. He likes it loud and raunchy, that land where the speakers and the pickups are united in total solidarity.

Tone courtesy of a 65 pro reverb and a 60 tweed 4x10 bassman

Guest vocals courtesy of our beloved band photographer Criss Cain

Video work courtesy of our beloved manager David Frey

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