TOPICS:
0:00 - QUESTION: "I understand [Fuxian counterpoint] but I don't see the practical use of it. In the copies of Mozarts lessons to Thomas Attwood he's teaching it - but if I listen to, for example, Mozart's symphony 39 in E flat, where is the practical use of Fuxian counterpoint there especially re: the basic rules taught?"

…is there any chance of using some Mozart for this purpose, or at least an example or two of Mozart - maybe a string quartet or quintet maybe?"
3:31 - Johann Joseph Fux, "Gradus ad Parnassum"

Download the book here: [ Ссылка ]_(Fux%2C_Johann_Joseph)

5:11 - First (species) Counterpoint

Learn more about first species counterpoint in these two videos:
Ask Dr. B About Music Theory, Episode 1 (Species Counterpoint)
[ Ссылка ]

Ask Dr. B About Music Theory, Episode 2 (Species Counterpoint, Part 2)
[ Ссылка ]

8:58 - Fifth (Florid) Counterpoint (with music example)
10:52 - Fugue (with music example)
11:36 - Mozart Symphony No. 39
12:35 - Mozart Symphony No. 41 "Jupiter" (Finale)
13:52 - Listen to Mozart Symphony 41 Movement 4 - Score
[ Ссылка ]

14:10 - Side by side comparison of Fux & Mozart
14:22 - Analysis on Mozart Symphony No. 41
19:26 - Piano reduction and analysis of Mozart Symphony No. 41
21:14 - Analyzing intervals like Fux
23:52 - Recap and answer to why Fuxian counterpoint is practical

FOR MORE ON DR. B FOLLOW ALONG HERE
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FOR DR. B PROJECT "MUSIC OF THE GILDED AGE"
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