I shall not be taking criticism on my dog Latin ;)
If you become a patron at £15 or higher, you get to see the script for this video, where I put in a load of extra material that had to be cut for time, including a huge tangent on why Gladiator couldn't have Australian accents, but Mme. Thénardier can come from Hackney. Find my Patreon here: [ Ссылка ]
I'm a tour guide in London. If you'd like to book me for a private tour, you can find out more here: www.jdraper.co.uk/private-tours
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Sources & Further Reading:
Behr, E. 1989. The Complete Book of Les Misérables.
Coveney, M. 2009. Oliver! The real story of Britain’s greatest musical. [ Ссылка ]
Crucchiola, J., Jones, N., & Lincoln, K. 2017. What Kind Of Accent Should Actors Use In Period Pieces? [ Ссылка ]
Lancaster University, 2010. Research shows that Cockney will disappear from London’s streets within a generation. [ Ссылка ]
Napolitano, M. (2009). Disneyfying Dickens: "Oliver & Company" and "The Muppet Christmas Carol" as Dickensian Musicals. Studies in Popular Culture, 32(1), 79-102. Retrieved March 20, 2021, from [ Ссылка ]
Soper, N. 2019. Why are there two French versions of the Les Misérables musical? [ Ссылка ]
Weltman, S. (2011). Boz versus Bos in "Sweeney Todd": Dickens, Sondheim, and Victorianness. Dickens Studies Annual, 42, 55-76. Retrieved March 20, 2021, from [ Ссылка ]
Wright, A. 2010. A Tanner’s Worth Of Tune: Rediscovering The Post-War British Musical.
00:00 1. Introduction
02:10 2a. The Cockney Musical: Specimens
11:10 2b. The Cockney Musical: Anatomy
19:57 3. Les Miserables, the Cockney Musical
22:42 4. The Bartification of Victor Hugo
27:01 5. The Fall and Rise of the Cockney Musical
