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Double tracking guitar, vocals, keyboards or any other instrument is a fine studio art that yields big rewards. Examples that come to mind are numerous vocal performances by Ozzy and John Lennon, and a ton of guitar work by Randy Rhoads. Double tracking basically requires you to mimic your own performance as closely as possible in order to achieve a wide, chorus-like effect. It sounds great when you've nailed it. Robert Keeley's quite brilliant 30 ms pedal offers a shortcut to this process and is convincing and versatile enough to be used in any studio or stage situation. Along with the Double Tracking Pro mode (selectable via internal dipswitches), the 30 ms gives you 6 modes - all variations on the double tracking process - with which to fatten up your sound. Dimension, Abbey and Slapback modes all offer variations in modulation and tracking delay times and all are eminently useable. The 30 ms can be used in mono or stereo. I've gone stereo here for optimum effect. Watch the video - I hope it tells the tale properly - and imagine how you could employ the Keeley 30 ms in your own music creation.
Today's tools:
Guitar: Smitty Custom Guitars "The Hog" with Brierley Vintage/Modern pickups
Amps: Marshall 1962 Bluesbreaker combo and ROLA JTM45 with 1x12 Palmer cabinet (Greenbacks - both amps)
Extra effects: Keeley Oxblood (latter quarter of the video)
Cables: Providence
Power Supply: Voodoo Lab MONDO
Mic: Violet Design "The Amethyst Standard" (Marshall); SM57 (ROLA) Samson Airline77 (me)
Camera: Canon 60D (me) and Sony HDR CX150 (pedal)
Soundcard: AVID Mbox Pro 3
Computer: Apple iMac 27" i7 3.4 GHz 16 GB RAM
Software: Pro Tools 11.3, Waves CLA Guitars (slight comp over input track), Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).
