Divine Rendition of Raag Bibhas by Vidushi Ashwini Bhide Deshpande Live at Ravenshaw University, Cuttack, Odisha-2011
00:00 - Vilambit Khayal : He Narhar Narayan
35:48 - Drut Khayal : Tarava Ginat Ginat
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Raga: Raga Bibhas (Raga Vibhas/Raga Shudha Dhaivat Vibhas)
Taal: Roopak(Vilambit)
Ektaal(Drut)
Composition: He Narahar Narayan - Traditional
Tarava Ginat Ginat - Sadarang(Niyamat Khan)
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tabla: Shri. Mithilesh Kumar Jha
Harmonium: Shri. Vinay Mishra
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📝Lyrics:
************He Narahar Narayan************
हे नरहर नारायण
गोपाल गिरीवरधर |
गोपी रूप श्याम बरन
कमलनयन बनवारी
गोपीपती गिरिजापती
गिरीवरधरन ||
************Taarava Ginat Ginat************
तारवा गिनत गिनत मैको रैन गवाई
ऐसी प्रीत तुम कबहू ना किन्ही
सुरजनवा बलामा प्यारे |
सदारंग कल ना परत मोहे
तोरे बिना भई हू मैं दिवानी
ऐसी प्रीत तुम कबहू ना किन्ही
सुरजनवा बलामा प्यारे ||
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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Video Courtesy: SPIC MACAY
