Pt Budhaditya Mukherjee Sitar Indian Classical Music Raag Yaman Kalyan
Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. He holds a unique distinction of being the ever first artist (not just musician) in history to perform in the House of Commons, London. Famously proclaimed the "sitar artist of the century" by veena great Balachander, he has performed in thousands of concerts since the 1970s in India, America, Australia, the UAE, and almost all of Europe.
Pandit Budhaditya belongs to the Imdadkhani gharana, the name coined by himself, to credit Ustad Imdad Khan, who created the unique style and had named it after Etawah, where he lived.
His alap consists of deep and fine meends (gliding across notes) for which he pulls the string up to five and a half notes on a given fret. This technique is part of executing the gayaki or vocal style of playing, Budhaditya is particularly known for his high speed and clarity, which he says is a product of good control over the instrument, and should be played only for complementing the music. However, he has mentioned that in his early years, when he was still in search of a good sitar, he had to play high speed to make a career as a musician.
Budhaditya's typical concerts have been full length renditions of the ragas starting from developing through alap, jor, and then improvising over a composition with tabla accompaniment, before playing a high speed composition and jhala, and finishing with a shorter rendition in a different raga. He often develops the raga in the khayal gayaki ang, or the way a vocalist would do in the khayal style of singing.
Raag Yaman Kalyan
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