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I never thought I would replace my Strymon Flint as my spring reverb and tremolo of choice but the White Whale V2 from Crazy Tube circuits does everything i need and it has a real spring reverb inside. It can go from subtle and sweet to helicopter madness. Add a fuzz and there is chopping and slicing to be had too. Does Analog really mean anything?
Do NOT sleep on this Analog Tremolo and Reverb Pedal

Here is what Crazy Tube Circuits have to say about the White Whale V2

Inspired by the match-made-in-heaven of vintage effects found on 60s American amps, White Whale V2 sets out a new objective to pack bigger real spring reverb and tremolo sounds in the same pedalboard friendly enclosure (17 x 12,5 x 7,5 cm).

The 3-spring reverb tank assembly housed inside White Whale’s enclosure has remained the same, but we have upgraded the power amp driving the springs for increased headroom and wider frequency response. Following the signal topography of vintage units we have also upgraded the dwell control to allow you to dial the right amount of signal that goes into the springs for a mellower or splashier reverb sound. Real spring reverb found in 60s American tube amps and external reverb units featured a tube power amp driving the spring assembly via an output transformer, so we have delicately tuned an analog circuit to emulate the tube and output transformer saturation that was produced on higher dwell settings.

Each of these vintage units had its own reverb effect qualities so we tried to categorize them according to the most emblematic ones with a toggle switch selecting the size and decay. The user can select between the milder reverb qualities of a short to medium 2-spring reverb tank, the liveliness of a medium to long 2-spring reverb tank as found in most blackface amp designs and the dense reverb qualities of a long 3-spring reverb tank assembly. A reverb’s tone control comes after the recovery stage at the output of the reverb tank and affects only the wet sounds for lively and drippy or smooth and mild reverb tones. Use the mix control to blend your desired amount of wet signal on top of the dry guitar signal. Higher reverb mix settings tend to get lost in the mix, so we’ve made sure you’ll be heard loud and clear by incorporating a volume control capable of up to 20db boost.

The tremolo section has also been upgraded to feature harmonic tremolo, besides the opto and tube bias found in the previous incarnation of our “marine mammal”. This hypnotic and mesmerizing effect originated on certain models of the brown and blonde era amps and does frequency-based modulation by shifting between high and low frequencies compared to the amplitude-based modulation (opto and tube bias) that shifts between volume levels. We’ve made sure to include the two most significant variations of harmonic tremolo, as found in the original amps, that differentiate in the range and sweep of pulsating frequencies. The depth control sets the intensity of modulation while we’ve extended the range of the speed control beyond the span of vintage amps’ to make sure we’ll maximize your creativity. The volume control will boost the signal, if needed, even in the hardest throb settings.


𝗦𝗛𝗢𝗪 𝗬𝗢𝗨𝗥 𝗦𝗨𝗣𝗣𝗢𝗥𝗧 𝗙𝗢𝗥 𝗧𝗛𝗘 𝗖𝗛𝗔𝗡𝗡𝗘𝗟
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00:00 What is the Crazy Tube Circuits White Whale V2
01:32 How the White Whale V2 works (Knobs and Switches with Sound Samples)
08:24 CTC White Whale V2 - My Top 5 Tones (Including Baritone and fuzz)
11:24 White Whale V2 vs Strymon Flint vs Fender Deluxe Reverb
15:00 The White Whale V2 in a mix (Free Backing Track)
15:46 How to use a Remote Switch and Expression Pedals with the White Whale V2
18:54 Is there a REAL spring Reverb Tank inside the White Whale V2?
21:07 My Review of the White Whale V2

𝗗𝗜𝗦𝗖𝗟𝗔𝗜𝗠𝗘𝗥𝗦
𝙎𝙤𝙢𝙚 𝙤𝙛 𝙩𝙝𝙚𝙨𝙚 𝙡𝙞𝙣𝙠𝙨 𝙝𝙖𝙫𝙚 𝙖𝙣 𝙖𝙛𝙛𝙞𝙡𝙞𝙖𝙩𝙚 𝙘𝙤𝙙𝙚, 𝙞𝙛 𝙮𝙤𝙪 𝙥𝙪𝙧𝙘𝙝𝙖𝙨𝙚 𝙜𝙚𝙖𝙧 𝙬𝙞𝙩𝙝 𝙩𝙝𝙚𝙨𝙚 𝙡𝙞𝙣𝙠𝙨 𝙄 𝙬𝙞𝙡𝙡 𝙧𝙚𝙘𝙚𝙞𝙫𝙚 𝙖 𝙨𝙢𝙖𝙡𝙡 𝙘𝙤𝙢𝙢𝙞𝙨𝙨𝙞𝙤𝙣 𝙖𝙩 𝙣𝙤 𝙖𝙙𝙙𝙞𝙩𝙞𝙤𝙣𝙖𝙡 𝙘𝙤𝙨𝙩 𝙩𝙤 𝙮𝙤𝙪. 𝙏𝙝𝙖𝙣𝙠 𝙮𝙤𝙪!
𝙏𝙝𝙚 𝙘𝙤𝙣𝙩𝙚𝙣𝙩 𝙤𝙛 𝙩𝙝𝙞𝙨 𝙫𝙞𝙙𝙚𝙤 𝙖𝙣𝙙 𝙢𝙮 𝙤𝙥𝙞𝙣𝙞𝙤𝙣𝙨 𝙬𝙚𝙧𝙚 𝙣𝙤𝙩 𝙧𝙚𝙫𝙞𝙚𝙬𝙚𝙙 𝙗𝙮 𝙖𝙣𝙮 𝙤𝙪𝙩𝙨𝙞𝙙𝙚 𝙥𝙚𝙧𝙨𝙤𝙣𝙨.

#TheGuitarGeek #Crazytubecircuits #WhitewhaleV2 #Tremolopedal #reverb

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