This channel is the re-establishment of previous channels that have been sadly terminated.
=========================
René Pape--bass
Plácido Domingo--tenor
Staatskapelle Berlin
Daniel Barenboim--conductor
2010
======================
"René Pape (born 4 September 1964) is a German operatic bass. Pape has received two Grammys, was named "Vocalist of the Year" by Musical America in 2002, "Artist of the Year" by the German opera critics in 2006, and won an ECHO award (the German equivalent of the Grammy) in 2009.
Biography
René Pape was born in Dresden, then part of East Germany. His mother is a hairdresser and his father a chef. His parents divorced when he was two years old and he sometimes lived with his grandmother, who opened the way for his interest in music. His maternal grandfather was an operetta tenor.
Pape received his musical education from 1974 to 1981 with Dresdner Kreuzchor (he even appeared as one of the Three Boys[1] in Die Zauberflöte) and the Dresden Conservatory in the early '80s. He had his debut with the Berlin Staatsoper Unter den Linden in 1988, and achieved international recognition in 1991, when Sir Georg Solti cast him as Sarastro in a production of Die Zauberflöte, a role he sang again the same year at La Scala in Milan under Solti's direction. He sang in Haydn's Die Jahreszeiten ("The Seasons") with the Orchestre de Paris and the Chicago Symphony Orchestra, both under Solti (1992), then Don Fernando (Fidelio), the Speaker and Sarastro with the Vienna State Opera during the 1992–93 season, King Philip (Don Carlo) in Basle Switzerland) and had his Bayreuth debut under the baton of James Levine as Fasolt in Das Rheingold in 1994. The year 1995 saw his debut with the Metropolitan Opera, as the Night Watchman in Die Meistersinger, where he has performed practically every year since (Fasolt and King of Egypt (Aida) in 1997, the Old Hebrew (Samson and Dalila) in 1998, King Marke (Tristan) in 1999, Escamillo (Carmen) and Rocco (Fidelio) in 2000, Oreste (Strauss's Elektra) in 2002, Gurnemanz (Parsifal) in 2003, Leporello (Don Giovanni) and King Marke in 2004, Méphistophélès in Gounod's Faust in 2005, King Heinrich, King Philip, and Sarastro in 2006, Banquo in Macbeth in 2008, Fasolt, Hunding in Die Walküre in 2009, Boris Godunov in 2010). About his role as King Marke, Anthony Tommasini wrote in the New York Times' 30 November 2008 issue : Few singers have conveyed Marke's feelings of betrayal by his beloved nephew Tristan with such lofty, noble anguish. René Pape's King Marke is a magnificent and dignified performance, sung with the utmost compassion and with an enviable richness and range of bass tone, wrote Michael Kennedy in the Sunday Telegraph on 25 May 2003. As Heinrich, René Pape displayed what must be the most sumptuous operatic bass in the world, wrote Rupert Christiansen in the Daily Telegraph on 5 June 2003.
Pape was honored on 27 October 2010 by the Metropolitan Opera Guild as part of its Met Mastersingers series. In addition to the Metropolitan Opera, Pape sings often with the Chicago Lyric Opera (Pogner in Die Meistersinger in 1999, Rocco in 2005 and Faust in 2009). He had his first solo recital in Carnegie Hall on 25 April 2009, where he sang German lieder from Schubert, Hugo Wolf and Schumann.
His repertoire includes virtually all the great German bass roles, including Pogner in Wagner's Die Meistersinger, King Heinrich in Lohengrin, Gurnemanz in Parsifal, Fasolt, Hunding and Wotan in the Ring des Nibelungen and Oreste in Strauss's Elektra. He has also appeared as Mozart's Figaro, Leporello and Don Giovanni, as Ramfis in Aida, Filippo II in Don Carlo, Méphistophélès in Faust, Escamillo in Carmen, Gremin in Eugene Onegin and the title role of Boris Godunov.[3]
Pape has received two Grammys for his recordings ("Die Meistersinger" in 1997 and "Tannhauser" in 2002), was named "Vocalist of the Year" by Musical America in 2002, "Artist of the Year" by the German opera critics in 2006 for his Boris Godunov at the Berlin Staatsoper, and won in 2009 an ECHO award (the German equivalent of the Grammy) for his solo arias, Gods, Kings and Demons".
Pape performed in Beethoven's Symphony 9 at the BBC Proms in 2012. He has been Österreichischer Kammersänger since 2018.[4]
In 2017 and 2018, he appeared as King Marke, in Tristan and Isolde, at Bayreuth, but he has no plans to return there.[3] In 2019, he appeared as Filippo II, in Don Carlo, with Paris National Opera.[5] In 2021, and 2022 he appeared in Boris Godunov, at the Metropolitan Opera.[6][7]
Homophobic controversy
Following a Facebook comment by the Metropolitan Opera Chorus celebrating the New York City Pride Parade, Pape responded that he will not return to the institution, and included the sentence "I feel sorry for this wonderful city!"[8][9] Pape published an apology next day.[10]"; Wikipedia (edited)
