Music from CD: “Jazz, Macedonian Folk Dances and Classical Music” is available on
Amazon (Download) – [ Ссылка ]
Amazon (Physical Audio CD) – [ Ссылка ]
iTunes (Download) – [ Ссылка ]
Amazon.com eBook and Print Book entitled: “TALE OGNENOVSKI VIRTUOSO OF THE CLARINET AND COMPOSER, BIOGRAPHY AND MUSIC NOTATION OF 69 CLARINET COMPOSITIONS: MACEDONIAN FOLK DANCES, JAZZ AND CLASSICAL MUSIC” by Stevan Ognenovski. Amazon.com’s Stevan Ognenovski Authors Page [ Ссылка ] More info at [ Ссылка ] [ Ссылка ] [ Ссылка ] CD: “Mozart Clarinet Concerto in A, K. 622 Arranged for Two Clarinets by Tale Ognenovski” (Record label: Independent Records, USA. Catalog: IR37223) is unique recording of Mozart Clarinet Concerto with two clarinets simultaneously playing with two different arrangements by a single performer (Tale Ognenovski). More info at [ Ссылка ] and [ Ссылка ]
iTunes (Download) – [ Ссылка ]
CD: “MOZART and OGNENOVSKI Clarinet Concertos” is available on
Amazon (Download) – [ Ссылка ]
Amazon (Physical Audio CD) – [ Ссылка ]
iTunes (Download) – [ Ссылка ]
CD: “Macedonian Clarinet Jazz Composed By Tale Ognenovski” is available on
Amazon (Download) – [ Ссылка ]
Amazon (Physical Audio CD) – [ Ссылка ]
iTunes (Download) – [ Ссылка ]
Perhaps YouTube video: “Tale Ognenovski, The Greatest Clarinetist of All Time, Musical Genius, Composer...” [ Ссылка ] is the most documented biography for any music artist in the world with chronological presentation of Tale Ognenovski’s work as clarinetist, composer and recording artist. In this video was included music from four CDs and live performance of Tale Ognenovski on clarinet with accompaniment of his son Stevan Ognenovski, Mag. Scient. on drum at promotion of the book: “Tale Ognenovski Virtuoso of the Clarinet and Composer” / Macedonian: "Тале Огненовски виртуоз на кларинет и композитор" which was at Ohrid, Republic of Macedonia on July 9, 2001. The book was written by Stevan Ognenovski, Mag. Scient. (Nationality: Macedonian), the only son of clarinetist and composer Tale Ognenovski (Nationality: Macedonian) and Nevena Ognenovska (Nationality: Macedonian). Tale Ognenovski won the "11 October" Award and took top honors at a glittering Award ceremony in the Macedonian Parliament on October 11, 2003. The "11 October" Award is the highest and the most prestigious national award in the Republic of Macedonia. Tale Ognenovski, clarinetist and composer, was included in the book entitled: “The Greatest Clarinet Players of All Time: Top 100” written by Alex Trost (Author) and Vadim Kravetsky (Author). Publisher: CreateSpace. Official Website of Tale Ognenovski, Titan of the Clarinet and Composer [ Ссылка ]
Wikipedia Web page of Tale Ognenovski [ Ссылка ]
The New York Times for Tale Ognenovski performances as virtuoso clarinet and reed pipe (‘kavalche’) soloist with Macedonian National Ensemble for Folk Dances and Songs "Tanec" in Carnegie Hall, New York City on January 27, 1956 wrote, "Display of Tremendous Skill … joy and delight … folk arts, comes from Macedonia … brilliantly spectacular and wonderfully unfamiliar dances … great individuality … wide variety … incredible phrases … the dances are ravishing, and their range is truly astonishing … remarkable music on both orthodox and unorthodox instruments … a raucous and unforgettable pipe … wonderful art but also a superb show … Surely one performance in New York is not enough … “ - Article entitled "Ballet: Yugoslav Folk Art; 'Tanec' Dancers Appear at Carnegie Hall in Display of Tremendous Skill" , written by music critic John Martin, The New York Times, January 28, 1956, p.11, and, “spectacle … stunning show that any set of spectators would find hard to resist … thousand different shades of dynamics … rapidity … conscious virtuosity … the broken circles of the kolo of the Macedonian mountains … curious musical instruments that accompany many of the dances … a dateless reed pipe …” - Article entitled "THE DANCE: FOLK ART; Group From Yugoslavia In Impressive Debut Learning vs. Magic No Macedonian Monopoly The Week's Events" , written by music critic John Martin, The New York Times, February 5, 1956, p. 114. These musical terms written in these articles are the most brilliant musical expressions written for performance by an instrumental soloist (with orchestra) in Carnegie Hall in New York published in The New York Times from 1891 until now.

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