Alex Roediger, MoMA’s senior information coordinator, looks at Helen Frankenthaler’s "Jacob’s Ladder" (1957) with a painter’s eye, and finds that “more paint” isn't always the key to making a dramatic statement—even in Abstract Expressionism.

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The comments and opinions expressed in this video are those of the speaker alone, and do not represent the views of The Museum of Modern Art, its personnel, or any artist. 

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