HISTORY ANONYMOUS: A Thought Opera in Two Acts, by Pamela Jennison Pratt ©2019

Phenomenology is, “Just the facts, ma’am,” and art is a gift that you give back to life, so,
FAIR USE DISCLAIMER: Quotes in this book are presented under the Fair Use Doctrine of the Copyright Disclaimer of Title 17 U.S.C. Section 107 for making material available in an effort to advance understanding of public issues for educational purposes, and in accordance with the Fair Use Statute, this material is distributed without profit because the reality is that,

Philosophy majors push brooms and clean toilets, but we know why we’re doing it.

ACT ONE
Scene #1: The Holy Romans and the Opium Express, p. 1–16.
Scene #2: How Not To Start a Revolution, p. 17–28.
Scene #3: Irish Coal Miners and German Hells Angels, p. 29–44.
Scene #4: National Socialism and Jewish Gold, p. 45–60.
Scene #5: Winston Churchill and Pearl Harbor, p. 61–75.
Scene #6: Rommel and OPERATION GOODWOOD, p. 76–91.
Scene #7: Monty and Bimbo vs. Bradley and Patton, p. 92–106.
Scene #8: The Hürtgen Forest and Bleeding the Russians, p. 107–24.
Scene #9: OPERATION QUEEN and the Big Red One, p. 125–42.
Scene #10: Chain of Command in the Battle of the Bulge, p. 143–62.
Scene #11: FDR’s Deal with Russia and OPERATION ECLIPSE, p. 163–78.
Scene #12: Eichmann and the Business of the Jews, p. 179–92.
Scene #13: Did Hitler Escape From the Führerbunker? p. 193–205.
Scene #14: How the RAF Failed to Stop Hitler’s Escape Plan, p. 206–15.
Scene #15: One More Piece of Funny Business at the End of Hitler’s War, p. 216–30.
Scene #16: The Jews Had Been Warned to Leave Germany, p. 231–45.
Scene #17: Einstein in Jerusalem, p. 246–58.
Scene #18: Why Iran Let Britain Drill for Oil, p. 260–73.
Scene #19: Armand Hammer Goes to Russia, p. 274–89.
Scene #20: Jews Escaping Hitler Started the Great Society in America, p. 290–300.
Scene #21: Princess Anastasia and Russia’s Friend Kim Philby, p. 301–12.
Scene #22: OPERATION MINCEMEAT and the Stolen Jewish Gold, p. 313–26.
Scene #23: The Japanese in Korea and MacArthur’s Atom Bomb, p. 327–39.
Scene #24: Chairman Mao and the Dixie Mission, p. 340–53.
Scene #25: Opium Wars and the French in Vietnam, p. 354–71.
Scene #26: Heroin in America was a Commie Plot, p. 372–85.
Scene #27: The Italians Who Were Once Rome Meet Senator McCarthy, p. 386–402.
ACT TWO
Scene #28: Traitors in the CIA and the Death of JFK, p. 403–12.
Scene #29: The Romantic Age and a Shorter Route to China, p. 413–27.
Scene #30: The First White Women Over the Rockies, p. 428–40.
Scene #31: The Donner Party, the Gold Rush and the Bear Flag Republic, p. 441–55.
Scene #32: Slavery, the Union Pacific Railroad and Wagon Wheel Gap, p. 456–469.
Scene #33: Fremont’s Lost Gold and the Fatal Fork in the River, p. 470–83.
Scene #34: Custer’s Last Stand at Little Bighorn, p. 484–97.
Scene #35: Blockade Runners and Mary Lincoln’s Laudanum, p. 498–513.
Scene #36: The Holy Roman Empire Comes to Mexico, p. 514–27.
Scene #37: The War With the Whites and the Grapes of Wrath, p. 528–42.
Scene #38: The Gold Standard and the Federal Reserve, p. 543–57.
Scene #39: How Southern Cotton Changed the World, p. 558–72.
Scene #40: Racial Science, Mental Illness and Johnny Appleseed, p. 573–588.
Scene #41: The British East India Company and the American Colonies, p. 589–604.
Scene #42: Immigration, Prohibition, and a Wild West Economy, p. 605–622.
Scene #43: Submarines and What Really Happened to the Titanic, p. 623–38.
Scene #44: The Miracle of Dunkirk and Why Britain Hates Russia, p. 639–54.
Scene #45: William of Normandy, the War of the Roses and Henry VIII, p. 655–70.
Scene #46: Mary Queen of Scots and the Battle of the Dunes, p. 671–85.
Scene #47: The Crusades and Richard the Lionheart, p. 686–700.
Scene #48: The Birth of Tragedy and Nietzsche’s Fight With Wagner, p. 701–16.
Scene #49: German Poetry and Heidegger’s Warning to the Nazies, p. 717–30.
Scene #50: “Blessed is he alone who steps armed into these spaces,” p. 731–45.
Scene #51: History Anonymous and the Great Wanting-More, p. 746–56.
Scene #52: Rush Medical and the Urantia Book of 1935, p. 757–73.
Scene #53: The Great Denial and the People of the Book, p. 774–87.
Scene #54: “Out of Egypt have I called My Son,” p. 788–801.
Scene #55: The Drink Offering and the Meaning of Alcoholism, p. 802–815.
Scene #56: Is A.A. a Fascist Program? p. 816–831.
Scene #57: Epilogue: Lightning Joe and the Pied Piper of Hamelin, p. 832–48.

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