#behrouzsebtrasoul
Making a documentary about the oldest musical instrument in the world andInterview with Master Saifullah Shokri, Musician and Instrument Maker.This musical instrument belongs to 1400 BC .فیلم مستندی از بهروز سبط رسول در بارۀ احیای ساز ارجان توسط استاد سیف الله شکری



در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia
oldest musical instrument in the world-Persian traditional musicاحیا کننده سازارجان(استاد سیف الله شکری)

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Saifullah Shokri" was born in 1975 in the city of Qazvin. It was not until he was 17 years old that he began making musical instruments with extensive studies to scientifically make contemporary instruments. With this background, in 1999, he started his research for making ancient instruments and to speed up this work, he established the first workshop for making musical instruments in Qazvin province and the following year, the first scientific classes for making instruments in the Handicrafts Organization of the country in This province was established. In the early half of the 1980s, Shukri was able to scientifically make reed making and then to conduct research in the field of structural science and to make the stages of making tambourine and sethar instruments scientific. He also designed the engineering plan of "Tar" and invented the instrument "Hashtar" and registered it in the country and was able to use up to 6000 pieces in special construction by using mosaic art.
In the second half of the 1980s, Shukri built the oldest "harp" in Iran and the world, with a history of 6,000 years, and "Barbat" in Mesopotamia, with a history of 4,700 years, at the behest of the United Nations. He then reconstructed Changi from Qazvin, which dates from the ninth lunar century, to the province's anthropological museum. Shukri later invented the instrument "Soroush".
In November 2010, the President and the Cabinet unveiled the national instrument "carpet", which was inspired by Master Shokri from the carpet. In the last two years, Shukri has been able to design and build the first wire-making machine in Iran, as well as the 3000-year-old "harp" of Ilam civilization, "Barbat" Arjan Cup (1000 BC), "Barbat" Elamite (1000 BC). Reconstruct the Parthian "Lear" and the 3000-year-old "reed" of Khuzestan and invent the instruments of "Negareh" and "9 octaves".
One of the latest achievements of Master Shokri is the inclusion of "Ancient Iran" in the list of intangible human heritage of Iran and sending it by the "Cultural Heritage, Handicrafts and Tourism Organization" to UNESCO to record the preservation of the best practices in the restoration of obsolete arts, and finally He mentioned the "song of the command of Cyrus the Great" and its performance at the return ceremony of the charter of Cyrus the Great with the instruments reconstructed by him.
Professor Saifullah Shukri rarely talks to the media and prefers his secluded corner of his workshop, which is an old reservoir in the ancient city of Qazvin, to any fuss.
You can talk to him day and night about the history of music and its instruments; Benefited from his boundless knowledge; Without bothering or repeating his words.
Shukri believes that "man achieves himself through his knowledge." He considers the problem of humanity to be the lack of knowledge and awareness of reason and says: "We are all teachers or we know or we do not know; "We are learning to learn."
«سیف‌الله شکری» به سال 1354 خورشیدی در شهر قزوین زاده شد. 17 سال بیش نداشت که ساخت ادوات موسیقی را با مطالعاتی گسترده برای علمی ‌کردن ساخت سازهای معاصر آغاز کرد. با این پیش‌زمینه، در سال 1378 پژوهش‌هایش را برای ساخت سازهای باستانی شروع کرد و برای سرعت‌ بخشیدن به این کار، نخستین کارگاه ساخت ادوات موسیقی را در استان قزوین پایه‌گذاری کرد و سال بعد، نخستین کلاس‌های علمی ساخت ساز را در سازمان صنایع دستی کشور در این استان برپا داشت. شکری در نیمه‌ی آغازین دهه‌ی 80 توانست ساخت ساز نی را علمی کند و سپس به پژوهش در زمینه‌ی ساختارشناسی و علمی‌ کردن مراحل ساخت سازهای تنبور و سه‌تار دست یازد. وی هم‌چنین نقشه مهندسی ساز «تار» را طراحی و ساز «هشت تار» را ابداع و ثبت کشوری کرد و توانست با بهره از هنر معرق تا 6000 قطعه را در ساخت سازی ویژه به کار گیرد.


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