𝗧𝗵𝗲 𝗯𝗶𝗴𝗴𝗲𝘀𝘁 𝗹𝗶𝘃𝗲 𝗿𝗼𝗰𝗸 𝗳𝗹𝗮𝘀𝗵𝗺𝗼𝗯 𝗶𝗻 𝗖𝗲𝗻𝘁𝗿𝗮𝗹 𝗘𝘂𝗿𝗼𝗽𝗲 - 𝗗𝘂𝗻𝗮ú𝗷𝘃á𝗿𝗼𝘀 (𝗛𝘂𝗻𝗴𝗮𝗿𝘆) 𝗖𝗜𝗧𝗬𝗥𝗢𝗖𝗞𝗦
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𝗖𝗜𝗧𝗬𝗥𝗢𝗖𝗞𝗦 ▶ It is more than music, it is an orchestra. It is more than an orchestra, it is a fellowship. It does not matter who you are, where you come from. In fact it does not matter where you will continue on your way. It does not matter how old you are, if you are working as an unskilled worker or a top manager. It does not matter if your instrument is worth a cheap meal or a new car. There are no status symbols, only genuine symbols, just as many as we are. Even if we are many, we are not just a loud crowd. We are not alike, but we are not different either. We all need to be there, to be someone together and you are exactly that person we can not miss.

That great adventure that more and more people are joining started in 2018. Szeged, Kecskemét, Dunaújváros and the Transylvanian Bonchida are lining the CityRocks path. Our community is from beginners, professionals and amateurs. That released energy is untouchable which comes from our events, this can be said by our musicians and the audience.

In 2018 the CityRocks program qualified for the third place on the koncert.hu "The biggest hungarian concert of the year" and in 2019 we reached the second place in this competition.

Every city who invites our project, becomes the capital of live music and be part of this unique community for one day. It is not just about music, but it is the connection between us.

Join us to be a member of the biggest rock band in Central Europe. Soon you will realize that you joined much more than a loud crowd.
400 musicians rock flashmob playlist: [ Ссылка ]

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𝗗𝗢𝗕𝗢𝗟𝗗𝗔 𝗧𝗔𝗜𝗞𝗢
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Taiko (太鼓) are a broad range of Japanese percussion instruments. In Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called wadaiko (和太鼓, "Japanese drums") and to the form of ensemble taiko drumming more specifically called kumi-daiko (組太鼓, "set of drums"). The process of constructing taiko varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method.

Taiko have a mythological origin in Japanese folklore, but historical records suggest that taiko were introduced to Japan through Korean and Chinese cultural influence as early as the 6th century CE. Pottery from the Haniwa period was found depicting Taiko drums. Some taiko are similar to instruments originating from India. Archaeological evidence also supports the view that taiko were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious ceremony and concert performances. In modern times, taiko have also played a central role in social movements for minorities both within and outside Japan.

Kumi-daiko performance, characterized by an ensemble playing on different drums, was developed in 1951 through the work of Daihachi Oguchi and later in 1961 by the Ondekoza, and taiko was made later popular with many other groups copying the format of Ondekoza such as Kodo, Yamato, Tao, Taikoza, Fuun No Kai, Sukeroku Taiko, etc. Other performance styles, such as hachijō-daiko, have also emerged from specific communities in Japan. Kumi-daiko performance groups are active not only in Japan, but also in the United States, Australia, Canada, Europe, Taiwan, and Brazil. Taiko performance consists of many components in technical rhythm, form, stick grip, clothing, and the particular instrumentation. Ensembles typically use different types of barrel-shaped nagadō-daiko as well as smaller shime-daiko. Many groups accompany the drums with vocals, strings, and woodwind instruments.

Nagado-daiko (mija-daiko), Hirado-daiko, Odaiko, Okedo-daiko, Sime-daiko, Ucsiva-daiko,
Atarigane, Dora, Sinobue, Samiszen, Koto, Csappa, Bacsi

Taiko drummers:
Gocoo, Art Lee, Kodo, Eitetsu Hayashi, Oedo Sukeroku Daiko, Shidara, TAO, Tokara, Wadaiko Yamato, Hinokiya, Za Ondekoza.

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