Wolfgang Amadeus Mozart (1756-1791) Le nozze di Figaro by Fritz Busch
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00:00 Overture - Le nozze di Figaro, K. 492
03:52 Duettino: Cinque... dieci... venti (Figaro, Susanna) - Act 1
06:36 Duettino: Se a caso Madama (Figaro, Susanna)
09:12 Cavatina: Se vuol ballare (Figaro, Susanna)
11:30 Aria: La vendetta, oh, la vendetta (Bartolo)
14:11 Duettino: Via resti servita, madama brillante (Marcellina, Susanna)
16:24 Aria: Non so più cosa son, cosa faccio (Cherubino)
19:15 Terzetto: Cosa sento! (Conte, Basilio, Susanna)
& Aria: Non più andrai, farfallone amoroso (Figaro)
23:40 Aria: Non più andrai, farfallone amoroso (Figaro)

27:15 Cavatina: Porgi, amor, qualche ristoro (Contessa) - Act 2
31:37 Arietta: Voi, che sapete che cosa è amor (Cherubino)
34:41 Aria: Venite, inginocchiatevi (Susanna)
37:37 Terzetto: Susanna, or via sortite (Conte, Contessa, Susanna)
40:33 Duettino: Aprite, presto, aprite (Susanna, Cherubino)
41:30 Esci omai, garzon malnato (Conte, Contessa)
44:02 Signore! Cos'è quel stupore? (Susanna, Conte, Contessa, Figaro)
49:51 Conoscete, signor Figaro (Conte, Figaro, Susanna, Contessa, Antonio)
58:03 Voi, signor, che giusto siete (Marcellina, Bartolo, Basilio, Conte, Susanna, Contessa, Figaro)

1:01:41 Duettino: Crudel! Perché finora farmi languir così? (Conte, Susanna) - Act 3
1:04:23 Recitativo ed aria: Hai già vinta la causa!... Vedrò, mentr'io sospiro (Conte)
1:09:07 Sestetto: Riconosci in quest'amplesso
(Marcellina, Figaro, Bartolo, Curzio, Conte, Susanna)
1:13:48 Recitativo ed aria: E Susanna non vien!,.. Dove sono (Contessa)
1:20:40 Duettino: ...sull'aria - Che soave zefiretto (Susanna, Contessa)
1:23:34 Coro: Ricevete, o padroncina (Chorus)
1:24:52 Finale: Ecco la marcia... Amanti costanti
(Figaro, Susanna, Conte, Contessa, Due ragazze, Chorus)

1:31:33 Recitativo ed aria: Tutto è disposto... Aprite un po' quegli occhi (Figaro) - Act 4
1:35:50 Recitativo ed aria: Giunse alfin il momento... Deh, vieni, non tardar (Susanna)
1:41:30 Pian, pianin, le andrò più presso (Cherubino, Contessa, Conte, Susanna, Figaro)
1:47:13 Tutto è tranquillo e placido (Figaro, Susanna)
1:50:51 Pace, pace, mio dolce tesoro (Figaro, Conte, Susanna)
1:52:36 Gente, gente, all'armi, all'armi! (Tutti)

Figaro: WILLI DOMGRAF-FASSBAENDER
Susanna: AUDREY MILDMAY
Count: ROY HENDERSON
Countess: AULIKKI RAUTAWAARA
Cherubino:,LUISE HELLETSGRUBER
Marcellina: CONSTANCE WILLIS
Bartolo: NORMAN ALLIN (1934), ITALO TAJO (1935)
Don Basilio: HEDDLE NASH
Curzio: MORGAN JONES
Antonio: FERGUS DUNLOP
Barbarina: WINIFRED RADFORD
Glyndebourne Festival Chorus and Orchestra
Conductor: FRITZ BUSCH
Recorded in 1934-35, at Glyndebourne
New mastering in 2023 by AB for CMRR
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Glyndebourne’s founders, John Christie and wife Audrey Mildmay, opened the first Festival here in 1934. Today our world-renowned auditorium and standards of excellence are testament to John’s original ethos: Not just the best we can do but the best that can be done anywhere.

In the years that followed, Glyndebourne continued to be headed by the Christie family, George Christie following in 1962 and then his son Gus, now Executive Chairman, in 2000.

Early years of the Glyndebourne Festival revolved almost entirely around Mozart’s extensive repertoire of operatic works before gradually expanding to include works by other composers such as Benjamin Britten, with whom Glyndebourne has enjoyed long association, as well as Giuseppe Verdi, Gioachino Rossini and many others.

Originally the theatre was built to seat 300. It was enlarged and improved many times in subsequent years to hold larger audiences; such was the demand for opera at Glyndebourne. By 1977, it held 850 people.

By the 1990s it was clear that Glyndebourne needed an even larger auditorium so in 1994 a new opera house was built to seat 1,200, opening with a performance of Mozart’s Le nozze di Figaro, a fitting tribute to the Festival’s origins.

Today Glyndebourne reaches around 150,000 people a year with over 120 live opera performances. Its continued employment of inspirational directors, world-class orchestras and performers, and the ongoing drive to commission new work, now go hand in hand with digital innovations such as online streamings to reach new audiences.
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Wolfgang Amadeus Mozart PLAYLIST (reference recordings): [ Ссылка ]

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